Poems

Found 11200 thoughts of poems

Seashore

On the seashore of endless worlds children meet.
The infinite sky is motionless overhead
and the restless water is boisterous.
On the seashore of endless worlds
the children meet with shouts and dances.

They build their houses with sand
and they play with empty shells.
With withered leaves they weave their boats
and smilingly float them on the vast deep.
Children have their play on the seashore of worlds.

They know not how to swim, they know not how to cast nets.
Pearl fishers dive for pearls, merchants sail in their ships,
while children gather pebbles and scatter them again.
They seek not for hidden treasures, they know not how to cast nets.

The sea surges up with laughter
and pale gleams the smile of the sea beach.
Death-dealing waves sing meaningless ballads to the children,
even like a mother while rocking her baby's cradle.
The sea plays with children,
and pale gleams the smile of the sea beach.

On the seashore of endless worlds children meet.
Tempest roams in the pathless sky,
ships get wrecked in the trackless water,
death is abroad and children play.
On the seashore of endless worlds is the
great meeting of children.

Rabindranath Tagore

Old And New

Thou hast made me known to friends whom I knew not.
Thou hast given me seats in homes not my own.
Thou hast brought the distant near and made a brother of the stranger.

I am uneasy at heart when I have to leave my accustomed shelter;
I forget that there abides the old in the new,
and that there also thou abidest.

Through birth and death, in this world or in others,
wherever thou leadest me it is thou, the same,
the one companion of my endless life
who ever linkest my heart with bonds of joy to the unfamiliar.

When one knows thee, then alien there is none, then no door is shut.
Oh, grant me my prayer that I may never lose
the bliss of the touch of the one
in the play of many.

Rabindranath Tagore

Spring

Spring am I, too soft of heart
Much to speak ere I depart:
Ask the Summer-tide to prove
The abundance of my love.

William Morris

Sonnet CXLVIII

O me, what eyes hath Love put in my head,
Which have no correspondence with true sight!
Or, if they have, where is my judgment fled,
That censures falsely what they see aright?
If that be fair whereon my false eyes dote,
What means the world to say it is not so?
If it be not, then love doth well denote
Love's eye is not so true as all men's 'No.'
How can it? O, how can Love's eye be true,
That is so vex'd with watching and with tears?
No marvel then, though I mistake my view;
The sun itself sees not till heaven clears.
O cunning Love! with tears thou keep'st me blind,
Lest eyes well-seeing thy foul faults should find.

William Shakespeare

To A Child Dancing In The Wind

Dance there upon the shore;
What need have you to care
For wind or water's roar?
And tumble out your hair
That the salt drops have wet;
Being young you have not known
The fool's triumph, nor yet
Love lost as soon as won,
Nor the best labourer dead
And all the sheaves to bind.
What need have you to dread
The monstrous crying of wind!

William Butler Yeats

Song: Memory, hither come

Memory, hither come,
And tune your merry notes;
And, while upon the wind
Your music floats,

I'll pore upon the stream
Where sighing lovers dream,
And fish for fancies as they pass
Within the watery glass.

I'll drink of the clear stream,
And hear the linnet's song;
And there I'll lie and dream
The day along:

And, when night comes, I'll go
To places fit for woe,
Walking along the darken'd valley
With silent Melancholy.

William Blake

Under the Greenwood Tree

Under the greenwood tree
Who loves to lie with me,
And turn his merry note
Unto the sweet bird's throat,
Come hither, come hither, come hither:
Here shall he see
No enemy
But winter and rough weather.

Who doth ambition shun,
And loves to live i' the sun,
Seeking the food he eats,
And pleas'd with what he gets,
Come hither, come hither, come hither:
Here shall he see
No enemy
But winter and rough weather.

William Shakespeare

Sonnet 132: Thine eyes I love, and they, as pitying me

Thine eyes I love, and they, as pitying me,
Knowing thy heart torment me with disdain,
Have put on black, and loving mourners be,
Looking with pretty ruth upon my pain.
And truly not the morning sun of heaven
Better becomes the grey cheeks of the east,
Nor that full star that ushers in the even
Doth half that glory to the sober west
As those two mourning eyes become thy face.
O, let it then as well beseem thy heart
To mourn for me since mourning doth thee grace,
And suit thy pity like in every part.
Then will I swear beauty herself is black,
And all they foul that thy complexion lack.

William Shakespeare

Sonnet CXXIV

If my dear love were but the child of state,
It might for Fortune's bastard be unfather'd'
As subject to Time's love or to Time's hate,
Weeds among weeds, or flowers with flowers gather'd.
No, it was builded far from accident;
It suffers not in smiling pomp, nor falls
Under the blow of thralled discontent,
Whereto the inviting time our fashion calls:
It fears not policy, that heretic,
Which works on leases of short-number'd hours,
But all alone stands hugely politic,
That it nor grows with heat nor drowns with showers.
To this I witness call the fools of time,
Which die for goodness, who have lived for crime.

William Shakespeare

Sweet-and-Twenty

O MISTRESS mine, where are you roaming?
O, stay and hear! your true love 's coming,
That can sing both high and low:
Trip no further, pretty sweeting;
Journeys end in lovers meeting,
Every wise man's son doth know.

What is love? 'tis not hereafter;
Present mirth hath present laughter;
What 's to come is still unsure:
In delay there lies no plenty;
Then come kiss me, sweet-and-twenty!
Youth 's a stuff will not endure.

William Shakespeare

Sonnet 149: Canst thou, O cruel, say I love thee not

Canst thou, O cruel, say I love thee not,
When I against my self with thee partake?
Do I not think on thee when I forgot
Am of my self, all tyrant, for thy sake?
Who hateth thee that I do call my friend?
On whom frown'st thou that I do fawn upon?
Nay, if thou lour'st on me, do I not spend
Revenge upon my self with present moan?
What merit do I in my self respect,
That is so proud thy service to despise,
When all my best doth worship thy defect,
Commanded by the motion of thine eyes?
But, love, hate on, for now I know thy mind:
Those that can see thou lov'st, and I am blind.

William Shakespeare

Sonnet LI

Thus can my love excuse the slow offence
Of my dull bearer when from thee I speed:
From where thou art why should I haste me thence?
Till I return, of posting is no need.
O, what excuse will my poor beast then find,
When swift extremity can seem but slow?
Then should I spur, though mounted on the wind;
In winged speed no motion shall I know:
Then can no horse with my desire keep pace;
Therefore desire of perfect'st love being made,
Shall neigh--no dull flesh--in his fiery race;
But love, for love, thus shall excuse my jade;
Since from thee going he went wilful-slow,
Towards thee I'll run, and give him leave to go.

William Shakespeare

Sonnet LXII

Sin of self-love possesseth all mine eye
And all my soul and all my every part;
And for this sin there is no remedy,
It is so grounded inward in my heart.
Methinks no face so gracious is as mine,
No shape so true, no truth of such account;
And for myself mine own worth do define,
As I all other in all worths surmount.
But when my glass shows me myself indeed,
Beated and chopp'd with tann'd antiquity,
Mine own self-love quite contrary I read;
Self so self-loving were iniquity.
'Tis thee, myself, that for myself I praise,
Painting my age with beauty of thy days.

William Shakespeare

Sonnet 40: Take all my loves, my love, yea, take them all

Take all my loves, my love, yea, take them all;
What hast thou then more than thou hadst before?
No love, my love, that thou mayst true love call;
All mine was thine, before thou hadst this more.
Then if for my love, thou my love receivest,
I cannot blame thee, for my love thou usest;
But yet be blamed, if thou thy self deceivest
By wilful taste of what thy self refusest.
I do forgive thy robbery, gentle thief,
Although thou steal thee all my poverty;
And yet love knows it is a greater grief
To bear love's wrong, than hate's known injury.
Lascivious grace, in whom all ill well shows,
Kill me with spites; yet we must not be foes.

William Shakespeare

Full Fathom Five

Full fathom five thy father lies;
Of his bones are coral made;
Those are pearls that were his eyes:
Nothing of him that doth fade
But doth suffer a sea-change
Into something rich and strange.
Sea-nymphs hourly ring his knell:
Ding-dong.
Hark! now I hear them,--ding-dong, bell.

William Shakespeare

Faith Matheny

At first you will know not what they mean,
And you may never know,
And we may never tell you: --
These sudden flashes in your soul,
Like lambent lightning on snowy clouds
At midnight when the moon is full.
They come in solitude, or perhaps
You sit with your friend, and all at once
A silence falls on speech, and his eyes
Without a flicker glow at you: --
You two have seen the secret together,
He sees it in you, and you in him.
And there you sit thrilling lest the Mystery
Stand before you and strike you dead
With a splendor like the sun's.
Be brave, all souls who have such visions!
As your body's alive as mine is dead,
You're catching a little whiff of the ether
Reserved for God Himself.

Edgar Lee Masters

ON THE DIVAN.

HE who knows himself and others

Here will also see,
That the East and West, like brothers,

Parted ne'er shall be.

Thoughtfully to float for ever

'Tween two worlds, be man's endeavour!
So between the East and West

To revolve, be my behest!

1833.*

Johann Wolfgang von Goethe

You cannot put a Fire out --
A Thing that can ignite
Can go, itself, without a Fan --
Upon the slowest Night --

You cannot fold a Flood --
And put it in a Drawer --
Because the Winds would find it out --
And tell your Cedar Floor --

Emily Dickinson

The Irish Convict's Return

Ye mountains and glens of Old Ireland,
I've returned home to ye again;
During my absence from ye
My heart always felt great pain.

Oh, how I long'd to see you dear Nora,
And the old folks at home;
And the beautiful Lakes o' Killarney,
Where we oft together did roam.

Ye beautiful Lakes of Killarney,
Ye are welcome to me again;
I will now reform my character,
And from all bad company refrain.

Oh, how I have long'd to see my old father
And my mother dearer than all;
And my favourite dog Charlie
That wont to come at my call.

Ye green hills and lakes of Old Ireland,
Ye are dearer than life unto me;
Many sleepless nights I have had
Since my banishment from thee.

But to-night I will see the old folks
And my dear Nora too ...
And she and I will get married,
And I'm sure we will never rue.

And we may have plenty of children,
And for them I will work like a man.
And I hope Nora and I will live happy,
And do the best we can.

For my own part, I will never grumble,
But try and be content ...
And walk in the paths of virtue,
And remember my banishment.

And at night at the fireside with Nora,
I will tell her of my limbs being bound,
And all my great hardships endured,
And how I was lash'd like a hound.

And when my story is ended,
Nora will sympathise with her tears,
Which will help to drown my sorrow,
And help me through coming years.

William Topaz McGonagall

We Never Said Farewell

WE never said farewell, nor even looked
Our last upon each other, for no sign
Was made when we the linkèd chain unhooked
And broke the level line.

And here we dwell together, side by side,
Our places fixed for life upon the chart.
Two islands that the roaring seas divide
Are not more far apart.

Mary Elizabeth Coleridge

Lines in Praise of Mr. J. Graham Henderson, Hawick

Success to Mr J. Graham Henderson, who is a good man,
And to gainsay it there's few people can,
I say so from my own experience,
And experience is a great defence.

He is a good man, I venture to say,
Which I declare to the world without dismay,
Because he's given me a suit of Tweeds, magnificent to see,
So good that it cannot be surpassed in Dundee.

The suit is the best of Tweed cloth in every way,
And will last me for many a long day;
It's really good, and in no way bad,
And will help to make my heart feel glad.

He's going to send some goods to the World's Fair,
And I hope of patronage he will get the biggest share;
Because his Tweed cloth is the best I ever did see,
In the year of our Lord eighteen hundred and ninety-three.

At the International Exhibition, and the Isle of Man Exhibition,
He got a gold medal from each, in recognition
Of his Scotch Tweeds, so good and grand,
Which cannot be surpassed in fair Scotland.

Therefore, good people, his goods are really grand,
And manufactured at Weensforth Mill, Hawick, Scotland;
Where there's always plenty of Tweeds on hand,
For the ready cash at the people's command.

Mr Tocher measured me for the suit,
And it is very elegant, which no one will dispute,
And I hope Mr Henry in Reform Street
Will gain customers by it, the suit is so complete.

William Topaz McGonagall

The Sun went down -- no Man looked on --
The Earth and I, alone,
Were present at the Majesty --
He triumphed, and went on --

The Sun went up -- no Man looked on --
The Earth and I and One
A nameless Bird -- a Stranger
Were Witness for the Crown --

Emily Dickinson

Happiness

In the afternoon I watched
the she-bear; she was looking
for the secret bin of sweetness -
honey, that the bees store
in the trees’ soft caves.
Black block of gloom, she climbed down
tree after tree and shuffled on
through the woods. And then
she found it! The honey-house deep
as heartwood, and dipped into it
among the swarming bees - honey and comb
she lipped and tongued and scooped out
in her black nails, until

maybe she grew full, or sleepy, or maybe
a little drunk, and sticky
down the rugs of her arms,
and began to hum and sway.
I saw her let go of the branches,
I saw her lift her honeyed muzzle
into the leaves, and her thick arms,
as though she would fly -
an enormous bee
all sweetness and wings -
down into the meadows, the perfections
of honeysuckle and roses and clover -
to float and sleep in the sheer nets
swaying from flower to flower
day after shining day.

Mary Oliver

Paying The Captain

We get on a boat, never mind if it sinks, we pay
the captain by throwing him overboard. And when he
gets back onboard we say, captain, please don't be
angry. And he forgives us this time. And so we throw
him overboard again just to make sure we have fully
paid the price we have set upon our passage. When he
gets back onboard he is not anxious to forgive us,
and he would like it much better if we would get off
his boat. There is nothing left for us to do but to
repay him and hope that this time it will be enough.
And so we throw him overboard again. When he comes
aboard again we say, now this must be the last of
this, we will pay no more, we want the journey to
begin.

But it seems there will be no journey since we have
gotten the captain used to a good thing. And so we
must spend the rest of our days throwing the captain
overboard.

Russell Edson

Confessions

What is he buzzing in my ears?
"Now that I come to die,
Do I view the world as a vale of tears?"
Ah, reverend sir, not I!

What I viewed there once, what I view again
Where the physic bottles stand
On the table's edge,—is a suburb lane,
With a wall to my bedside hand.

That lane sloped, much as the bottles do,
From a house you could descry
O'er the garden-wall: is the curtain blue
Or green to a healthy eye?

To mine, it serves for the old June weather
Blue above lane and wall;
And that farthest bottle labelled "Ether"
Is the house o'ertopping all.

At a terrace, somewhere near the stopper,
There watched for me, one June,
A girl; I know, sir, it's improper,
My poor mind's out of tune.

Only, there was a way... you crept
Close by the side, to dodge
Eyes in the house, two eyes except:
They styled their house "The Lodge".

What right had a lounger up their lane?
But, by creeping very close,
With the good wall's help,—their eyes might strain
And stretch themselves to Oes,

Yet never catch her and me together,
As she left the attic, there,
By the rim of the bottle labelled "Ether",
And stole from stair to stair,

And stood by the rose-wreathed gate. Alas,
We loved, sir—used to meet:
How sad and bad and mad it was—
But then, how it was sweet!

Robert Browning
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