Irish sayings
In 1953 there were two ways for an Irish Catholic boy to impress his parents: become a priest or attend Notre Dame.
Phil DonahueYancy is actually a Native-American name, but I'm Irish. Go figure.
Yancy ButlerThe Irish are a fair people - they never speak well of one another.
Samuel JohnsonEven when they have nothing, the Irish emit a kind of happiness, a joy.
Fiona ShawI've had Irish skin from the time I was a young girl.
Lara Flynn BoyleNo, men and women of the Irish race, we shall not fight for England. We shall fight for the destruction of the British Empire and the construction of an Irish republic.
James LarkinI can go from one thing to another, like jazz to country western, from country western to Irish, from Irish to Operatic, and so on and so on.
Bernie WorrellThe Irish Convict's Return
Ye mountains and glens of Old Ireland,
I've returned home to ye again;
During my absence from ye
My heart always felt great pain.
Oh, how I long'd to see you dear Nora,
And the old folks at home;
And the beautiful Lakes o' Killarney,
Where we oft together did roam.
Ye beautiful Lakes of Killarney,
Ye are welcome to me again;
I will now reform my character,
And from all bad company refrain.
Oh, how I have long'd to see my old father
And my mother dearer than all;
And my favourite dog Charlie
That wont to come at my call.
Ye green hills and lakes of Old Ireland,
Ye are dearer than life unto me;
Many sleepless nights I have had
Since my banishment from thee.
But to-night I will see the old folks
And my dear Nora too ...
And she and I will get married,
And I'm sure we will never rue.
And we may have plenty of children,
And for them I will work like a man.
And I hope Nora and I will live happy,
And do the best we can.
For my own part, I will never grumble,
But try and be content ...
And walk in the paths of virtue,
And remember my banishment.
And at night at the fireside with Nora,
I will tell her of my limbs being bound,
And all my great hardships endured,
And how I was lash'd like a hound.
And when my story is ended,
Nora will sympathise with her tears,
Which will help to drown my sorrow,
And help me through coming years.
If it was raining soup, the Irish would go out with forks.
Brendan BehanOutside History
These are outsiders, always. These stars—
these iron inklings of an Irish January,
whose light happened
thousands of years before
our pain did; they are, they have always been
outside history.
They keep their distance. Under them remains
a place where you found
you were human, and
a landscape in which you know you are mortal.
And a time to choose between them.
I have chosen:
out of myth in history I move to be
part of that ordeal
who darkness is
only now reaching me from those fields,
those rivers, those roads clotted as
firmaments with the dead.
How slowly they die
as we kneel beside them, whisper in their ear.
And we are too late. We are always too late.
Irish Love Song
Well, if the thing is over, better it is for me,
The lad was ever a rover, loving and laughing free,
Far too clever a lover not to be having still
A lass in the town and a lass by the road and a lass by the farther hill --
Love on the field and love on the path and love in the woody glen --
(Lad, will I never see you, never your face again?)
Ay, if the thing is ending, now I'll be getting rest,
Saying my prayers and bending down to be stilled and blest,
Never the days are sending hope till my heart is sore
For a laugh on the path and a voice by the gate and a step
on the shieling floor --
Grief on my ways and grief on my work and grief till the evening's dim --
(Lord, will I never hear it, never a sound of him?)
Sure if it's done forever, better for me that's wise,
Never the hurt, and never tears in my aching eyes,
No more the trouble ever to hide from my asking folk
Beat of my heart at click o' the latch, and throb if his name is spoke;
Never the need to hide the sighs and the flushing thoughts and the fret,
And after awhile my heart will hush and my hungering hands forget . . .
Peace on my ways, and peace in my step, and maybe my heart grown light --
(Mary, helper of heartbreak, send him to me to-night!)
Ireland.
Written for the Art Autograph during the Irish Famine, 1880.
Heartsome Ireland, winsome Ireland,
Charmer of the sun and sea,
Bright beguiler of old anguish,
How could Famine frown on thee?
As our Gulf-Stream, drawn to thee-ward,
Turns him from his northward flow,
And our wintry western headlands
Send thee summer from their snow,
Thus the main and cordial current
Of our love sets over sea, --
Tender, comely, valiant Ireland,
Songful, soulful, sorrowful Ireland, --
Streaming warm to comfort thee.
The Irish Peasant to his Mistress
Through grief and through danger thy smile hath cheer'd my way,
Till hope seem'd to bud from each thorn that round me lay;
The darker our fortune, the brighter our pure love burn'd,
Till shame into glory, till fear into zeal was turn'd;
Yes, slave as I was, in thy arms my spirit felt free,
And bless'd even the sorrows that made me more dear to thee.
Thy rival was honour'd, while thou wert wrong'd and scorn'd,
Thy crown was of briers, while gold her brows adorn'd;
She woo'd me to temples, while thou lay'st hid in caves,
Her friends were all masters, while thine, alas! were slaves;
Yet cold in the earth, at thy feet, I would rather be,
Then wed what I loved not, or turn one thought from thee.
They slander thee sorely, who say thy vows are frail --
Hadst thou been a false one, thy cheek had look'd less pale.
They say, too, so long thou hast worn those lingering chains --
That deep in thy heart they have printed their servile stains --
Oh! foul is the slander -- no chain could that soul subdue --
Where shineth thy spirit, there liberty shineth too!
Belts
There was a row in Silver Street that's near to Dublin Quay,
Between an Irish regiment an' English cavalree;
It started at Revelly an' it lasted on till dark:
The first man dropped at Harrison's, the last forninst the Park.
For it was: -- "Belts, belts, belts, an' that's one for you!"
An' it was "Belts, belts, belts, an' that's done for you!"
O buckle an' tongue
Was the song that we sung
From Harrison's down to the Park!
There was a row in Silver Street -- the regiments was out,
They called us "Delhi Rebels", an' we answered "Threes about!"
That drew them like a hornet's nest -- we met them good an' large,
The English at the double an' the Irish at the charge.
Then it was: -- "Belts . . .
There was a row in Silver Street -- an' I was in it too;
We passed the time o' day, an' then the belts went whirraru!
I misremember what occurred, but subsequint the storm
A Freeman's Journal Supplemint was all my uniform.
O it was: -- "Belts . . .
There was a row in Silver Street -- they sent the Polis there,
The English were too drunk to know, the Irish didn't care;
But when they grew impertinint we simultaneous rose,
Till half o' them was Liffey mud an' half was tatthered clo'es.
For it was: -- "Belts . . .
There was a row in Silver Street -- it might ha' raged till now,
But some one drew his side-arm clear, an' nobody knew how;
'Twas Hogan took the point an' dropped; we saw the red blood run:
An' so we all was murderers that started out in fun.
While it was: -- "Belts . . .
There was a row in Silver Street -- but that put down the shine,
Wid each man whisperin' to his next: "'Twas never work o' mine!"
We went away like beaten dogs, an' down the street we bore him,
The poor dumb corpse that couldn't tell the bhoys were sorry for him.
When it was: -- "Belts . . .
There was a row in Silver Street -- it isn't over yet,
For half of us are under guard wid punishments to get;
'Tis all a merricle to me as in the Clink I lie:
There was a row in Silver Street -- begod, I wonder why!
But it was: -- "Belts, belts, belts, an' that's one for you!"
An' it was "Belts, belts, belts, an' that's done for you!"
O buckle an' tongue
Was the song that we sung
From Harrison's down to the Park!
The Irish Unionist's farewell to Greta Hellastrom in 1922
Golden haired and golden hearted
I would ever have you be,
As you were when last we parted
Smiling slow and sad at me.
Oh! the fighting down of passion!
Oh! the century-seeming pain-
Parting in this off-hand fashion
In Dungarvan in the rain.
Slanting eyes of blue, unweeping
Stands my Swedish beauty where
Gusts of Irish rain are sweeping
Round the statue in the square;
Corner boys against the walling
Watch us furtively in vain,
And the Angelus is calling
Through Dungarvan in the rain.
Gales along the Commeragh Mountains,
Beating sleet on creaking signs,
Iron gutters turned to fountains,
And the windscreen laced with lines,
And the evening getting later,
And the ache - increased again,
As the distance grows the greater
From Dungarvan in the rain.
There is no one now to wonder
What eccentric sits in state
While the beech trees rock and thunder
Round his gate-lodge and his gate.
Gone - the ornamental plaster,
Gone - the overgrown demesne
And the car goes fast, and faster,
From Dungarvan in the rain.
Had I kissed and drawn you to me
Had you yielded warm for cold,
What a power had pounded through me
As I stroked your streaming gold!
You were right to keep us parted:
Bound and parted we remain,
Aching, if unbroken hearted -
Oh! Dungarvan in the rain!
House
TWO Swede families live downstairs and an Irish policeman upstairs, and an old soldier, Uncle Joe.
Two Swede boys go upstairs and see Joe. His wife is dead, his only son is dead, and his two daughters in Missouri and Texas don’t want him around.
The boys and Uncle Joe crack walnuts with a hammer on the bottom of a flatiron while the January wind howls and the zero air weaves laces on the window glass.
Joe tells the Swede boys all about Chickamauga and Chattanooga, how the Union soldiers crept in rain somewhere a dark night and ran forward and killed many Rebels, took flags, held a hill, and won a victory told about in the histories in school.
Joe takes a piece of carpenter’s chalk, draws lines on the floor and piles stove wood to show where six regiments were slaughtered climbing a slope.
“Here they went” and “Here they went,” says Joe, and the January wind howls and the zero air weaves laces on the window glass.
The two Swede boys go downstairs with a big blur of guns, men, and hills in their heads. They eat herring and potatoes and tell the family war is a wonder and soldiers are a wonder.
One breaks out with a cry at supper: I wish we had a war now and I could be a soldier.
An Irish Airman Forsees His Death
I know that I shall meet my fate
Somewhere among the clouds above;
Those that I fight I do not hate,
Those that I guard I do not love;
My county is Kiltartan Cross,
My countrymen Kiltartan's poor,
No likely end could bring them loss
Or leave them happier than before.
Nor law, nor duty bade me fight,
Nor public men, nor cheering crowds,
A lonely impulse of delight
Drove to this tumult in the clouds;
I balanced all, brought all to mind,
The years to come seemed waste of breath,
A waste of breath the years behind
In balance with this life, this death.
WANTS POEMS AND HAS NEVER REJECTED ANYONE
Eamer o’ Keefe with your tinge of brogue
And Irish warmth, Daisy and Debjani
With your karma and cool verse, I salute you.
( III )
"Ecoutez la voix du vent" – listen to the wind’s voice
As Milosz commands "All your griefs,
My sad ones, are in vain" but offering
In recompense soaring sonatas which remain unread
Untranslated, relegated to the reserve stock
Of the Institut Fran?ais, along with Fargue,
Jacob and Larbaud while all those Bloodaxe deadheads
Blossom and bloom round poetry’s tomb
Where still there’s room for Ursula’s
Queen’s Medal for Poetry, lacklustre poetaster
From Harry Chamber’s Press at Peterloo –
That Augean stable has too much shit
For even me to clear with my scabrous wit.
I burn to turn myself into the translator of French poetry
For our time and not to waste what little life I’ve left
Attacking Survivors ‘Coming Through’ –
A second-hand title for a third rate book
Of botched and blotched attempts at verse and worse.
Down with O’Brien and Forbes, those two of our time
Who above all others vie for the crown of infamy and slime.
Underground poets of Albion unite
Its time to clear the literary world of shite.
Cinderella
You always read about it:
the plumber with the twelve children
who wins the Irish Sweepstakes.
From toilets to riches.
That story.
Or the nursemaid,
some luscious sweet from Denmark
who captures the oldest son's heart.
from diapers to Dior.
That story.
Or a milkman who serves the wealthy,
eggs, cream, butter, yogurt, milk,
the white truck like an ambulance
who goes into real estate
and makes a pile.
From homogenized to martinis at lunch.
Or the charwoman
who is on the bus when it cracks up
and collects enough from the insurance.
From mops to Bonwit Teller.
That story.
Once
the wife of a rich man was on her deathbed
and she said to her daughter Cinderella:
Be devout. Be good. Then I will smile
down from heaven in the seam of a cloud.
The man took another wife who had
two daughters, pretty enough
but with hearts like blackjacks.
Cinderella was their maid.
She slept on the sooty hearth each night
and walked around looking like Al Jolson.
Her father brought presents home from town,
jewels and gowns for the other women
but the twig of a tree for Cinderella.
She planted that twig on her mother's grave
and it grew to a tree where a white dove sat.
Whenever she wished for anything the dove
would drop it like an egg upon the ground.
The bird is important, my dears, so heed him.
Next came the ball, as you all know.
It was a marriage market.
The prince was looking for a wife.
All but Cinderella were preparing
and gussying up for the event.
Cinderella begged to go too.
Her stepmother threw a dish of lentils
into the cinders and said: Pick them
up in an hour and you shall go.
The white dove brought all his friends;
all the warm wings of the fatherland came,
and picked up the lentils in a jiffy.
No, Cinderella, said the stepmother,
you have no clothes and cannot dance.
That's the way with stepmothers.
Cinderella went to the tree at the grave
and cried forth like a gospel singer:
Mama! Mama! My turtledove,
send me to the prince's ball!
The bird dropped down a golden dress
and delicate little slippers.
Rather a large package for a simple bird.
So she went. Which is no surprise.
Her stepmother and sisters didn't
recognize her without her cinder face
and the prince took her hand on the spot
and danced with no other the whole day.
As nightfall came she thought she'd better
get home. The prince walked her home
and she disappeared into the pigeon house
and although the prince took an axe and broke
it open she was gone. Back to her cinders.
These events repeated themselves for three days.
However on the third day the prince
covered the palace steps with cobbler's wax
and Cinderella's gold shoe stuck upon it.
Now he would find whom the shoe fit
and find his strange dancing girl for keeps.
He went to their house and the two sisters
were delighted because they had lovely feet.
The eldest went into a room to try the slipper on
but her big toe got in the way so she simply
sliced it off and put on the slipper.
The prince rode away with her until the white dove
told him to look at the blood pouring forth.
That is the way with amputations.
They just don't heal up like a wish.
The other sister cut off her heel
but the blood told as blood will.
The prince was getting tired.
He began to feel like a shoe salesman.
But he gave it one last try.
This time Cinderella fit into the shoe
like a love letter into its envelope.
At the wedding ceremony
the two sisters came to curry favor
and the white dove pecked their eyes out.
Two hollow spots were left
like soup spoons.
Cinderella and the prince
lived, they say, happily ever after,
like two dolls in a museum case
never bothered by diapers or dust,
never arguing over the timing of an egg,
never telling the same story twice,
never getting a middle-aged spread,
their darling smiles pasted on for eternity.
Regular Bobbsey Twins.
That story.
I showed my appreciation of my native land in the usual Irish way by getting out of it as soon as I possibly could.
George Bernard Shaw