Dh Lawrence Thoughts on Religion
One time I introduced my orchestra as the Shampoo Music Makers instead of the Champagne Music Makers.
Lawrence WelkNever trust the artist. Trust the tale.
David Herbert LawrenceThere is no such thing as liberty. You only change one sort of domination for another. All we can do is to choose our master.
David Herbert LawrenceThere were probably about five games in my career where everything was moving in slow motion and you could be out there all day, totally in the zone, and you don't even know where you are on the field, everything is just totally blocked out.
Lawrence TaylorI am just going outside and may be some time.
Captain Lawrence OatesRespect is based on Friendship,and friendship is based on love and love is so accidental isn't it ?
Jerome Lawrence and Robert E. LeeThe Elephant Is Slow To Mate
The elephant, the huge old beast,
is slow to mate;
he finds a female, they show no haste
they wait
for the sympathy in their vast shy hearts
slowly, slowly to rouse
as they loiter along the river-beds
and drink and browse
and dash in panic through the brake
of forest with the herd,
and sleep in massive silence, and wake
together, without a word.
So slowly the great hot elephant hearts
grow full of desire,
and the great beasts mate in secret at last,
hiding their fire.
Oldest they are and the wisest of beasts
so they know at last
how to wait for the loneliest of feasts
for the full repast.
They do not snatch, they do not tear;
their massive blood
moves as the moon-tides, near, more near
till they touch in flood.
Tease
I will give you all my keys,
You shall be my ch?telaine,
You shall enter as you please,
As you please shall go again.
When I hear you jingling through
All the chambers of my soul,
How I sit and laugh at you
In your vain housekeeping r?le.
Jealous of the smallest cover,
Angry at the simplest door;
Well, you anxious, inquisitive lover,
Are you pleased with what's in store?
You have fingered all my treasures,
Have you not, most curiously,
Handled all my tools and measures
And masculine machinery?
Over every single beauty
You have had your little rapture;
You have slain, as was your duty,
Every sin-mouse you could capture.
Still you are not satisfied,
Still you tremble faint reproach;
Challenge me I keep aside
Secrets that you may not broach.
Maybe yes, and maybe no,
Maybe there are secret places,
Altars barbarous below,
Elsewhere halls of high disgraces.
Maybe yes, and maybe no,
You may have it as you please,
Since I choose to keep you so,
Suppliant on your curious knees.
The Hands of the Betrothed
Her tawny eyes are onyx of thoughtlessness,
Hardened they are like gems in ancient modesty;
Yea, and her mouth’s prudent and crude caress
Means even less than her many words to me.
Though her kiss betrays me also this, this only
Consolation, that in her lips her blood at climax clips
Two wild, dumb paws in anguish on the lonely
Fruit of my heart, ere down, rebuked, it slips.
I know from her hardened lips that still her heart is
Hungry for me, yet if I put my hand in her breast
She puts me away, like a saleswoman whose mart is
Endangered by the pilferer on his quest.
But her hands are still the woman, the large, strong hands
Heavier than mine, yet like leverets caught in steel
When I hold them; my still soul understands
Their dumb confession of what her sort must feel.
For never her hands come nigh me but they lift
Like heavy birds from the morning stubble, to settle
Upon me like sleeping birds, like birds that shift
Uneasily in their sleep, disturbing my mettle.
How caressingly she lays her hand on my knee,
How strangely she tries to disown it, as it sinks
In my flesh and bone and forages into me,
How it stirs like a subtle stoat, whatever she thinks!
And often I see her clench her fingers tight
And thrust her fists suppressed in the folds of her skirt;
And sometimes, how she grasps her arms with her bright
Big hands, as if surely her arms did hurt.
And I have seen her stand all unaware
Pressing her spread hands over her breasts, as she
Would crush their mounds on her heart, to kill in there
The pain that is her simple ache for me.
Her strong hands take my part, the part of a man
To her; she crushes them into her bosom deep
Where I should lie, and with her own strong span
Closes her arms, that should fold me in sleep.
Ah, and she puts her hands upon the wall,
Presses them there, and kisses her bright hands,
Then lets her black hair loose, the darkness fall
About her from her maiden-folded bands.
And sits in her own dark night of her bitter hair
Dreaming—God knows of what, for to me she’s the same
Betrothed young lady who loves me, and takes care
Of her womanly virtue and of my good name.
Worm Either Way
If you live along with all the other people
and are just like them, and conform, and are nice
you're just a worm --
and if you live with all the other people
and you don't like them and won't be like them and won't conform
then you're just the worm that has turned,
in either case, a worm.
The conforming worm stays just inside the skin
respectably unseen, and cheerfully gnaws away at the heart of life,
making it all rotten inside.
The unconforming worm -- that is, the worm that has turned --
gnaws just the same, gnawing the substance out of life,
but he insists on gnawing a little hole in the social epidermis
and poking his head out and waving himself
and saying: Look at me, I am not respectable,
I do all the things the bourgeois daren't do,
I booze and fornicate and use foul language and despise your honest man.--
But why should the worm that has turned protest so much?
The bonnie bonnie bourgeois goes a-whoring up back streets just the same.
The busy busy bourgeois imbibes his little share
just the same
if not more.
The pretty pretty bourgeois pinks his language just as pink
if not pinker,
and in private boasts his exploits even louder, if you ask me,
than the other.
While as to honesty, Oh look where the money lies!
So I can't see where the worm that has turned puts anything over
the worm that is too cunning to turn.
On the contrary, he merely gives himself away.
The turned worm shouts. I bravely booze!
the other says. Have one with me!
The turned worm boasts: I copulate!
the unturned says: You look it.
You're a d----- b----- b----- p----- bb-----, says the worm that's turned.
Quite! says the other. Cuckoo!
Dreams Old
I have opened the window to warm my hands on the sill
Where the sunlight soaks in the stone: the afternoon
Is full of dreams, my love, the boys are all still
In a wistful dream of Lorna Doone.
The clink of the shunting engines is sharp and fine,
Like savage music striking far off, and there
On the great, uplifted blue palace, lights stir and shine
Where the glass is domed in the blue, soft air.
There lies the world, my darling, full of wonder and wistfulness and strange
Recognition and greetings of half-acquaint things, as I greet the cloud
Of blue palace aloft there, among misty indefinite dreams that range
At the back of my life’s horizon, where the dreamings of past lives crowd.
Over the nearness of Norwood Hill, through the mellow veil
Of the afternoon glows to me the old romance of David and Dora,
With the old, sweet, soothing tears, and laughter that shakes the sail
Of the ship of the soul over seas where dreamed dreams lure the unoceaned explorer.
All the bygone, hush?d years
Streaming back where the mist distils
Into forgetfulness: soft-sailing waters where fears
No longer shake, where the silk sail fills
With an unfelt breeze that ebbs over the seas, where the storm
Of living has passed, on and on
Through the coloured iridescence that swims in the warm
Wake of the tumult now spent and gone,
Drifts my boat, wistfully lapsing after
The mists of vanishing tears and the echo of laughter.
New Year's Eve
There are only two things now,
The great black night scooped out
And this fireglow.
This fireglow, the core,
And we the two ripe pips
That are held in store.
Listen, the darkness rings
As it circulates round our fire.
Take off your things.
Your shoulders, your bruised throat!
You breasts, your nakedness!
This fiery coat!
As the darkness flickers and dips,
As the firelight falls and leaps
From your feet to your lips!
Search for Truth
Search for nothing any more, nothing
except truth.
Be very still, and try and get at the truth.
And the first question to ask yourself is:
How great a liar am I?
The Virgin Mother
My little love, my darling,
You were a doorway to me;
You let me out of the confines
Into this strange countrie,
Where people are crowded like thistles,
Yet are shapely and comely to see.
My little love, my dearest
Twice have you issued me,
Once from your womb, sweet mother,
Once from myself, to be
Free of all hearts, my darling,
Of each heart’s home-life free.
And so, my love, my mother,
I shall always be true to you;
Twice I am born, my dearest,
To life, and to death, in you;
And this is the life hereafter
Wherein I am true.
I kiss you good-bye, my darling,
Our ways are different now;
You are a seed in the night-time,
I am a man, to plough
The difficult glebe of the future
For God to endow.
I kiss you good-bye, my dearest,
It is finished between us here.
Oh, if I were calm as you are,
Sweet and still on your bier!
O God, if I had not to leave you
Alone, my dear!
Let the last word be uttered,
Oh grant the farewell is said!
Spare me the strength to leave you
Now you are dead.
I must go, but my soul lies helpless
Beside your bed.
Birdcage Walk
When the wind blows her veil
And uncovers her laughter
I cease, I turn pale.
When the wind blows her veil
From the woes I bewail
Of love and hereafter:
When the wind blows her veil
I cease, I turn pale.
Bat
At evening, sitting on this terrace,
When the sun from the west, beyond Pisa, beyond the mountains of Carrara
Departs, and the world is taken by surprise ...
When the tired flower of Florence is in gloom beneath the glowing
Brown hills surrounding ...
When under the arches of the Ponte Vecchio
A green light enters against stream, flush from the west,
Against the current of obscure Arno ...
Look up, and you see things flying
Between the day and the night;
Swallows with spools of dark thread sewing the shadows together.
A circle swoop, and a quick parabola under the bridge arches
Where light pushes through;
A sudden turning upon itself of a thing in the air.
A dip to the water.
And you think:
"The swallows are flying so late!"
Swallows?
Dark air-life looping
Yet missing the pure loop ...
A twitch, a twitter, an elastic shudder in flight
And serrated wings against the sky,
Like a glove, a black glove thrown up at the light,
And falling back.
Never swallows!
Bats!
The swallows are gone.
At a wavering instant the swallows gave way to bats
By the Ponte Vecchio ...
Changing guard.
Bats, and an uneasy creeping in one's scalp
As the bats swoop overhead!
Flying madly.
Pipistrello!
Black piper on an infinitesimal pipe.
Little lumps that fly in air and have voices indefinite, wildly vindictive;
Wings like bits of umbrella.
Bats!
Creatures that hang themselves up like an old rag, to sleep;
And disgustingly upside down.
Hanging upside down like rows of disgusting old rags
And grinning in their sleep.
Bats!
Not for me!
Patience
A wind comes from the north
Blowing little flocks of birds
Like spray across the town,
And a train, roaring forth,
Rushes stampeding down
With cries and flying curds
Of steam, out of the darkening north.
Whither I turn and set
Like a needle steadfastly,
Waiting ever to get
The news that she is free;
But ever fixed, as yet,
To the lode of her agony.
The Wild Common
The quick sparks on the gorse bushes are leaping,
Little jets of sunlight-texture imitating flame;
Above them, exultant, the peewits are sweeping:
They are lords of the desolate wastes of sadness their screamings proclaim.
Rabbits, handfuls of brown earth, lie
Low-rounded on the mournful grass they have bitten down to the quick.
Are they asleep? -- Are they alive? -- Now see, when I
Move my arms the hill bursts and heaves under their spurting kick.
The common flaunts bravely; but below, from the rushes
Crowds of glittering king-cups surge to challenge the blossoming bushes;
There the lazy streamlet pushes
Its curious course mildly; here it wakes again, leaps, laughs, and gushes.
Into a deep pond, an old sheep-dip,
Dark, overgrown with willows, cool, with the brook ebbing through so slow,
Naked on the steep, soft lip
Of the bank I stand watching my own white shadow quivering to and fro.
What if the gorse flowers shrivelled and kissing were lost?
Without the pulsing waters, where were the marigolds and the songs of the brook!
If my veins and my breasts with love embossed
Withered, my insolent soul would be gone like flowers that the hot wind took.
So my soul like a passionate woman turns,
Filled with remorseful terror to the man she scorned, and her love
For myself in my own eyes' laughter burns,
Runs ecstatic over the pliant folds rippling down to my belly from the breast-lights above.
Over my sunlit skin the warm, clinging air,
Rich with the songs of seven larks singing at once, goes kissing me glad.
And the soul of the wind and my blood compare
Their wandering happiness, and the wind, wasted in liberty, drifts on and is sad.
Oh but the water loves me and folds me,
Plays with me, sways me, lifts me and sinks me as though it were living blood,
Blood of a heaving woman who holds me,
Owning my supple body a rare glad thing, supremely good.
To have respect for ourselves guides our morals; and to have a deference for others governs our manners.
Lawrence SterneDissolute
Many years have I still to burn, detained
Like a candle flame on this body; but I enshine
A darkness within me, a presence which sleeps contained
In my flame of living, her soul enfolded in mine.
And through these years, while I burn on the fuel of life,
What matter the stuff I lick up in my living flame,
Seeing I keep in the fire-core, inviolate,
A night where she dreams my dreams for me, ever the same.
