Robert Louis Stevenson
So Live, So Love, So Use That Fragile Hour
SO live, so love, so use that fragile hour,
That when the dark hand of the shining power
Shall one from other, wife or husband, take,
The poor survivor may not weep and wake.
I Do Not Fear To Own Me Kin
I DO not fear to own me kin
To the glad clods in which spring flowers begin;
Or to my brothers, the great trees,
That speak with pleasant voices in the breeze,
Loud talkers with the winds that pass;
Or to my sister, the deep grass.
Of such I am, of such my body is,
That thrills to reach its lips to kiss.
That gives and takes with wind and sun and rain
And feels keen pleasure to the point of pain.
Of such are these,
The brotherhood of stalwart trees,
The humble family of flowers,
That make a light of shadowy bowers
Or star the edges of the bent:
They give and take sweet colour and sweet scent;
They joy to shed themselves abroad;
And tree and flower and grass and sod
Thrill and leap and live and sing
With silent voices in the Spring.
Hence I not fear to yield my breath,
Since all is still unchanged by death;
Since in some pleasant valley I may be,
Clod beside clod, or tree by tree,
Long ages hence, with her I love this hour;
And feel a lively joy to share
With her the sun and rain and air,
To taste her quiet neighbourhood
As the dumb things of field and wood,
The clod, the tree, and starry flower,
Alone of all things have the power.
Ad Se Ipsum
DEAR sir, good-morrow! Five years back,
When you first girded for this arduous track,
And under various whimsical pretexts
Endowed another with your damned defects,
Could you have dreamed in your despondent vein
That the kind God would make your path so plain?
Non nobis, domine! O, may He still
Support my stumbling footsteps on the hill!
Nothing more strongly arouses our disgust than cannibalism, yet we make the same impression on Buddhists and vegetarians, for we feed on babies, though not our own.
Robert Louis StevensonAd Quintilianum
O CHIEF director of the growing race,
Of Rome the glory and of Rome the grace,
Me, O Quintilian, may you not forgive
Before from labour I make haste to live?
Some burn to gather wealth, lay hands on rule,
Or with white statues fill the atrium full.
The talking hearth, the rafters sweet with smoke,
Live fountains and rough grass, my line invoke:
A sturdy slave, not too learned wife,
Nights filled with slumber, and a quiet life.
To the Muse
Resign the rhapsody, the dream,
To men of larger reach;
Be ours the quest of a plain theme,
The piety of speech.
As monkish scribes from morning break
Toiled till the close of light,
Nor thought a day too long to make
One line or letter bright:
We also with an ardent mind,
Time, wealth, and fame forgot,
Our glory in our patience find
And skim, and skim the pot:
Till last, when round the house we hear
The evensong of birds,
One corner of blue heaven appear
In our clear well of words.
Leave, leave it then, muse of my heart!
Sans finish and sans frame,
Leave unadorned by needless art
The picture as it came.
Man is a creature who lives not upon bread alone, but primarily by catchwords.
Robert Louis StevensonTo Willie and Henrietta
If two may read aright
These rhymes of old delight
And house and garden play,
You too, my cousins, and you only, may.
You in a garden green
With me were king and queen,
Were hunter, soldier, tar,
And all the thousand things that children are.
Now in the elders' seat
We rest with quiet feet,
And from the window-bay
We watch the children, our successors, play.
"Time was," the golden head
Irrevocably said;
But time which one can bind,
While flowing fast away, leaves love behind.
There is only one difference between a long life and a good dinner: that, in the dinner, the sweets come last.
Robert Louis StevensonSonnet III
I have a hoard of treasure in my breast;
The grange of memory steams against the door,
Full of my bygone lifetime's garnered store -
Old pleasures crowned with sorrow for a zest,
Old sorrow grown a joy, old penance blest,
Chastened remembrance of the sins of yore
That, like a new evangel, more and more
Supports our halting will toward the best.
Ah! what to us the barren after years
May bring of joy or sorrow, who can tell?
O, knowing not, who cares? It may be well
That we shall find old pleasures and old fears,
And our remembered childhood seen thro' tears,
The best of Heaven and the worst of Hell.
There is a fellowship more quiet even than solitude, and which, rightly understood, is solitude made perfect.
Robert Louis StevensonThe Relic Taken, What Avails The Shrine?
THE relic taken, what avails the shrine?
The locket, pictureless? O heart of mine,
Art thou not worse than that,
Still warm, a vacant nest where love once sat?
Her image nestled closer at my heart
Than cherished memories, healed every smart
And warmed it more than wine
Or the full summer sun in noon-day shine.
This was the little weather gleam that lit
The cloudy promontories - the real charm was
That gilded hills and woods
And walked beside me thro' the solitudes.
The sun is set. My heart is widowed now
Of that companion-thought. Alone I plough
The seas of life, and trace
A separate furrow far from her and grace.
Farewell
FAREWELL, and when forth
I through the Golden Gates to Golden Isles
Steer without smiling, through the sea of smiles,
Isle upon isle, in the seas of the south,
Isle upon island, sea upon sea,
Why should I sail, why should the breeze?
I have been young, and I have counted friends.
A hopeless sail I spread, too late, too late.
Why should I from isle to isle
Sail, a hopeless sailor?
Mine Eyes Were Swift To Know Thee
MINE eyes were swift to know thee, and my heart
As swift to love. I did become at once
Thine wholly, thine unalterably, thine
In honourable service, pure intent,
Steadfast excess of love and laughing care:
And as she was, so am, and so shall be.
I knew thee helpful, knew thee true, knew thee
And Pity bedfellows: I heard thy talk
With answerable throbbings. On the stream,
Deep, swift, and clear, the lilies floated; fish
Through the shadows ran. There, thou and I
Read Kindness in our eyes and closed the match.
The Swing
How do you like to go up in a swing,
Up in the air so blue?
Oh, I do think it the pleasantest thing
Ever a child can do!
Up in the air and over the wall,
Till I can see so wide,
River and trees and cattle and all
Over the countryside--
Till I look down on the garden green,
Down on the roof so brown--
Up in the air I go flying again,
Up in the air and down!
The Clock's Clear Voice Into The Clearer Air
THE cock's clear voice into the clearer air
Where westward far I roam,
Mounts with a thrill of hope,
Falls with a sigh of home.
A rural sentry, he from farm and field
The coming morn descries,
And, mankind's bugler, wakes
The camp of enterprise.
He sings the morn upon the westward hills
Strange and remote and wild;
He sings it in the land
Where once I was a child.
He brings to me dear voices of the past,
The old land and the years:
My father calls for me,
My weeping spirit hears.
Fife, fife, into the golden air, O bird,
And sing the morning in;
For the old days are past
And new days begin.
We must accept life for what it actually is - a challenge to our quality without which we should never know of what stuff we are made, or grow to our full stature.
Robert Louis StevensonTo The Commissioners Of Northern Lights
I SEND to you, commissioners,
A paper that may please ye, sirs
(For troth they say it might be worse
An' I believe't)
And on your business lay my curse
Before I leav't.
I thocht I'd serve wi' you, sirs, yince,
But I've thocht better of it since;
The maitter I will nowise mince,
But tell ye true:
I'll service wi' some ither prince,
An' no wi' you.
I've no been very deep, ye'll think,
Cam' delicately to the brink
An' when the water gart me shrink
Straucht took the rue,
An' didna stoop my fill to drink -
I own it true.
I kent on cape and isle, a light
Burnt fair an' clearly ilka night;
But at the service I took fright,
As sune's I saw,
An' being still a neophite
Gaed straucht awa'.
Anither course I now begin,
The weeg I'll cairry for my sin,
The court my voice shall echo in,
An' - wha can tell? -
Some ither day I may be yin
O' you mysel'.
Love's Vicissitudes
AS Love and Hope together
Walk by me for a while,
Link-armed the ways they travel
For many a pleasant mile -
Link-armed and dumb they travel,
They sing not, but they smile.
Hope leaving, Love commences
To practise on the lute;
And as he sings and travels
With lingering, laggard foot,
Despair plays obligato
The sentimental flute.
Until in singing garments
Comes royally, at call -
Comes limber-hipped Indiff'rence
Free stepping, straight and tall -
Comes singing and lamenting,
The sweetest pipe of all.
At the Sea-Side
When I was down beside the sea
A wooden spade they gave to me
To dig the sandy shore.
My holes were empty like a cup.
In every hole the sea came up,
Till it could come no more.
Late, O Miller
LATE, O miller,
The birds are silent,
The darkness falls.
In the house the lights are lighted.
See, in the valley they twinkle,
The lights of home.
Late, O lovers,
The night is at hand;
Silence and darkness
Clothe the land.
A Valentine's Song
MOTLEY I count the only wear
That suits, in this mixed world, the truly wise,
Who boldly smile upon despair
And shake their bells in Grandam Grundy's eyes.
Singers should sing with such a goodly cheer
That the bare listening should make strong like wine,
At this unruly time of year,
The Feast of Valentine.
We do not now parade our "oughts"
And "shoulds" and motives and beliefs in God.
Their life lies all indoors; sad thoughts
Must keep the house, while gay thoughts go abroad,
Within we hold the wake for hopes deceased;
But in the public streets, in wind or sun,
Keep open, at the annual feast,
The puppet-booth of fun.
Our powers, perhaps, are small to please,
But even negro-songs and castanettes,
Old jokes and hackneyed repartees
Are more than the parade of vain regrets.
Let Jacques stand Wert(h)ering by the wounded deer -
We shall make merry, honest friends of mine,
At this unruly time of year,
The Feast of Valentine.
I know how, day by weary day,
Hope fades, love fades, a thousand pleasures fade.
I have not trudged in vain that way
On which life's daylight darkens, shade by shade.
And still, with hopes decreasing, griefs increased,
Still, with what wit I have shall I, for one,
Keep open, at the annual feast,
The puppet-booth of fun.
I care not if the wit be poor,
The old worn motley stained with rain and tears,
If but the courage still endure
That filled and strengthened hope in earlier years;
If still, with friends averted, fate severe,
A glad, untainted cheerfulness be mine
To greet the unruly time of year,
The Feast of Valentine.
Priest, I am none of thine, and see
In the perspective of still hopeful youth
That Truth shall triumph over thee -
Truth to one's self - I know no other truth.
I see strange days for thee and thine, O priest,
And how your doctrines, fallen one by one,
Shall furnish at the annual feast
The puppet-booth of fun.
Stand on your putrid ruins - stand,
White neck-clothed bigot, fixedly the same,
Cruel with all things but the hand,
Inquisitor in all things but the name.
Back, minister of Christ and source of fear -
We cherish freedom - back with thee and thine
From this unruly time of year,
The Feast of Valentine.
Blood thou mayest spare; but what of tears?
But what of riven households, broken faith -
Bywords that cling through all men's years
And drag them surely down to shame and death?
Stand back, O cruel man, O foe of youth,
And let such men as hearken not thy voice
Press freely up the road to truth,
The King's highway of choice.
Tempest Tossed And Sore Afflicted
TEMPEST tossed and sore afflicted, sin defiled and care oppressed,
Come to me, all ye that labour; come, and I will give ye rest.
Fear no more, O doubting hearted; weep no more, O weeping eye!
Lo, the voice of your redeemer; lo, the songful morning near.
Here one hour you toil and combat, sin and suffer, bleed and die;
In my father's quiet mansion soon to lay your burden by.
Bear a moment, heavy laden, weary hand and weeping eye.
Lo, the feet of your deliverer; lo, the hour of freedom here.
Farewell to the Farm
The coach is at the door at last;
The eager children, mounting fast
And kissing hands, in chorus sing:
Good-bye, good-bye, to everything!
To house and garden, field and lawn,
The meadow-gates we swang upon,
To pump and stable, tree and swing,
Good-bye, good-bye, to everything!
And fare you well for evermore,
O ladder at the hayloft door,
O hayloft where the cobwebs cling,
Good-bye, good-bye, to everything!
Crack goes the whip, and off we go;
The trees and houses smaller grow;
Last, round the woody turn we sing:
Good-bye, good-bye, to everything!
It Blows A Snowing Gale
IT blows a snowing gale in the winter of the year;
The boats are on the sea and the crews are on the pier.
The needle of the vane, it is veering to and fro,
A flash of sun is on the veering of the vane.
Autumn leaves and rain,
The passion of the gale.
