Devonshire Street W.1
The heavy mahogany door with its wrought-iron screen
Shuts. And the sound is rich, sympathetic, discreet.
The sun still shines on this eighteenth-century scene
With Edwardian faience adornment -- Devonshire Street.
No hope. And the X-ray photographs under his arm
Confirm the message. His wife stands timidly by.
The opposite brick-built house looks lofty and calm
Its chimneys steady against the mackerel sky.
No hope. And the iron knob of this palisade
So cold to the touch, is luckier now than he
"Oh merciless, hurrying Londoners! Why was I made
For the long and painful deathbed coming to me?"
She puts her fingers in his, as, loving and silly
At long-past Kensington dances she used to do
"It's cheaper to take the tube to Piccadilly
And then we can catch a nineteen or twenty-two".
Across the wet November night
The church is bright with candlelight
And waiting Evensong.
A single bell with plaintive strokes
Pleads louder than the stirring oaks
The leafless lanes along.
It calls the hoirboys from their tea
And villagers, the two or three,
Damp down the kitchen fire,
Let out the cat, and up the lane
Go paddling through the gentle rain
Of misty Oxfordshire.
How warm the many candles shine
Of Samuel Dowbiggin's design
For this interior neat,
These high box pews of Georgian days
Which screen us from the public gaze
When we make answer meet;
How gracefully their shadow falls
On bold pilasters down the walls
And on the pulpit high.
The chandeliers would twinkle gold
As pre-Tractarian sermons roll'd
Doctrinal, sound and dry.
From that west gallery no doubt
The viol and serpent tooted out
The Tallis tune to Ken,
And firmly at the end of prayers
The clerk below the pulpit stairs
Would thunder out "Amen."
But every wand'ring thought will cease
Before the noble alterpiece
With carven swags array'd,
For there in letters all may read
The Lord's Commandments, Prayer and Creed,
And decently display'd.
On country morningd sharp and clear
The penitent in faith draw near
And kneeling here below
Partake the heavenly banquet spread
Of sacremental Wine and Bread
And Jesus' presence know.
And must that plaintive bell in vain
Plead loud along the dripping lane?
And must the building fall?
Not while we love the church and live
And of our charity will give
Our much, our more, our all.
The Licorice Fields at Pontefract
In the licorice fields at Pontefract
My love and I did meet
And many a burdened licorice bush
Was blooming round our feet;
Red hair she had and golden skin,
Her sulky lips were shaped for sin,
Her sturdy legs were flannel-slack'd
The strongest legs in Pontefract.
The light and dangling licorice flowers
Gave off the sweetest smells;
From various black Victorian towers
The Sunday evening bells
Came pealing over dales and hills
And tanneries and silent mills
And lowly streets where country stops
And little shuttered corner shops.
She cast her blazing eyes on me
And plucked a licorice leaf;
I was her captive slave and she
My red-haired robber chief.
Oh love! for love I could not speak,
It left me winded, wilting, weak,
And held in brown arms strong and bare
And wound with flaming ropes of hair.
Hark, I hear the bells of Westgate,
I will tell you what they sigh,
Where those minarets and steeples
Prick the open Thanet sky.
Happy bells of eighteen-ninety,
Bursting from your freestone tower!
Recalling laurel, shrubs and privet,
Red geraniums in flower.
Feet that scamper on the asphalt
Through the Borough Council grass,
Till they hide inside the shelter
Bright with ironwork and glass,
Striving chains of ordered children
Purple by the sea-breeze made,
Striving on to prunes and suet
Past the shops on the Parade.
Some with wire around their glasses,
Some with wire across their teeth,
Writhing frames for running noses
And the drooping lip beneath.
Church of England bells of Westgate!
On this balcony I stand,
White the woodwork wriggles round me,
Clocktowers rise on either hand.
For me in my timber arbour
You have one more message yet,
"Plimsolls, plimsolls in the summer,
Oh galoshes in the wet!"
Dilton Marsh Halt
Was it worth keeping the Halt open,
We thought as we looked at the sky
Red through the spread of the cedar-tree,
With the evening train gone by?
Yes, we said, for in summer the anglers use it,
Two and sometimes three
Will bring their catches of rods and poles and perches
To Westbury, home for tea.
There isn't a porter. The platform is made of sleepers.
The guard of the last train puts out the light
And high over lorries and cattle the Halt unwinking
Waits through the Wiltshire night.
O housewife safe in the comprehensive churning
Of the Warminster launderette!
O husband down at the depot with car in car-park!
The Halt is waiting yet.
And when all the horrible roads are finally done for,
And there's no more petrol left in the world to burn,
Here to the Halt from Salisbury and from Bristol
Steam trains will return.
Kind o’er the kinderbank leans my Myfanwy,
White o’er the playpen the sheen of her dress,
Fresh from the bathroom and soft in the nursery
Soap scented fingers I long to caress.
Were you a prefect and head of your dormit'ry?
Were you a hockey girl, tennis or gym?
Who was your favourite? Who had a crush on you?
Which were the baths where they taught you to swim?
Smooth down the Avenue glitters the bicycle,
Black-stockinged legs under navy blue serge,
Home and Colonial, Star, International,
Balancing bicycle leant on the verge.
Trace me your wheel-tracks, you fortunate bicycle,
Out of the shopping and into the dark,
Back down the avenue, back to the pottingshed,
Back to the house on the fringe of the park.
Golden the light on the locks of Myfanwy,
Golden the light on the book on her knee,
Finger marked pages of Rackham's Hans Anderson,
Time for the children to come down to tea.
Oh! Fullers angel-cake, Robertson’s marmalade,
Liberty lampshade, come shine on us all,
My! what a spread for the friends of Myfanwy,
Some in the alcove and some in the hall.
Then what sardines in half-lighted passages!
Locking of fingers in long hide-and-seek.
You will protect me, my silken Myfanwy,
Ring leader, tom-boy, and chum to the weak.
Ireland With Emily
Bells are booming down the bohreens,
White the mist along the grass,
Now the Julias, Maeves and Maureens
Move between the fields to Mass.
Twisted trees of small green apple
Guard the decent whitewashed chapel,
Gilded gates and doorway grained,
Pointed windows richly stained
With many-coloured Munich glass.
See the black-shawled congregations
On the broidered vestment gaze
Murmer past the painted stations
As Thy Sacred Heart displays
Lush Kildare of scented meadows,
Roscommon, thin in ash-tree shadows,
And Westmeath the lake-reflected,
Spreading Leix the hill-protected,
Kneeling all in silver haze?
In yews and woodbine, walls and guelder,
Nettle-deep the faithful rest,
Winding leagues of flowering elder,
Sycamore with ivy dressed,
Ruins in demesnes deserted,
Bog-surrounded bramble-skirted -
Townlands rich or townlands mean as
These, oh, counties of them screen us
In the Kingdom of the West.
Stony seaboard, far and foreign,
Stony hills poured over space,
Stony outcrop of the Burren,
Stones in every fertile place,
Little fields with boulders dotted,
Grey-stone shoulders saffron-spotted,
Stone-walled cabins thatched with reeds,
Where a Stone Age people breeds
The last of Europe's stone age race.
Has it held, the warm June weather?
Draining shallow sea-pools dry,
When we bicycled together
Down the bohreens fuchsia-high.
Till there rose, abrupt and lonely,
A ruined abbey, chancel only,
Soared the arches, splayed and splendid,
Romanesque against the sky.
There in pinnacled protection,
One extinguished family waits
A Church of Ireland resurrection
By the broken, rusty gates.
Sheepswool, straw and droppings cover,
Graves of spinster, rake and lover,
Whose fantastic mausoleum,
Sings its own seablown Te Deum,
In and out the slipping slates.
The bells of waiting Advent ring,
The Tortoise stove is lit again
And lamp-oil light across the night
Has caught the streaks of winter rain
In many a stained-glass window sheen
From Crimson Lake to Hookers Green.
The holly in the windy hedge
And round the Manor House the yew
Will soon be stripped to deck the ledge,
The altar, font and arch and pew,
So that the villagers can say
'The church looks nice' on Christmas Day.
Provincial Public Houses blaze,
Corporation tramcars clang,
On lighted tenements I gaze,
Where paper decorations hang,
And bunting in the red Town Hall
Says 'Merry Christmas to you all'.
And London shops on Christmas Eve
Are strung with silver bells and flowers
As hurrying clerks the City leave
To pigeon-haunted classic towers,
And marbled clouds go scudding by
The many-steepled London sky.
And girls in slacks remember Dad,
And oafish louts remember Mum,
And sleepless children's hearts are glad.
And Christmas-morning bells say 'Come!'
Even to shining ones who dwell
Safe in the Dorchester Hotel.
And is it true,
This most tremendous tale of all,
Seen in a stained-glass window's hue,
A Baby in an ox's stall ?
The Maker of the stars and sea
Become a Child on earth for me ?
And is it true ? For if it is,
No loving fingers tying strings
Around those tissued fripperies,
The sweet and silly Christmas things,
Bath salts and inexpensive scent
And hideous tie so kindly meant,
No love that in a family dwells,
No carolling in frosty air,
Nor all the steeple-shaking bells
Can with this single Truth compare -
That God was man in Palestine
And lives today in Bread and Wine.
Meditation on the A30
A man on his own in a car
Is revenging himself on his wife;
He open the throttle and bubbles with dottle
and puffs at his pitiful life
She's losing her looks very fast,
she loses her temper all day;
that lorry won't let me get past,
this Mini is blocking my way.
"Why can't you step on it and shift her!
I can't go on crawling like this!
At breakfast she said that she wished I was dead-
Thank heavens we don't have to kiss.
"I'ld like a nice blonde on my knee
And one who won't argue or nag.
Who dares to come hooting at me?
I only give way to a Jag.
"You're barmy or plastered, I'll pass you, you bastard-
I will overtake you. I will!"
As he clenches his pipe, his moment is ripe
And the corner's accepting its kill.
The sea runs back against itself
With scarcely time for breaking wave
To cannonade a slatey shelf
And thunder under in a cave.
Before the next can fully burst
The headwind, blowing harder still,
Smooths it to what it was at first -
A slowly rolling water-hill.
Against the breeze the breakers haste,
Against the tide their ridges run
And all the sea's a dappled waste
Criss-crossing underneath the sun.
Far down the beach the ripples drag
Blown backward, rearing from the shore,
And wailing gull and shrieking shag
Alone can pierce the ocean roar.
Unheard, a mongrel hound gives tongue,
Unheard are shouts of little boys;
What chance has any inland lung
Against this multi-water noise?
Here where the cliffs alone prevail
I stand exultant, neutral, free,
And from the cushion of the gale
Behold a huge consoling sea.
How To Get On In Society
Phone for the fish knives, Norman
As cook is a little unnerved;
You kiddies have crumpled the serviettes
And I must have things daintily served.
Are the requisites all in the toilet?
The frills round the cutlets can wait
Till the girl has replenished the cruets
And switched on the logs in the grate.
It's ever so close in the lounge dear,
But the vestibule's comfy for tea
And Howard is riding on horseback
So do come and take some with me
Now here is a fork for your pastries
And do use the couch for your feet;
I know that I wanted to ask you-
Is trifle sufficient for sweet?
Milk and then just as it comes dear?
I'm afraid the preserve's full of stones;
Beg pardon, I'm soiling the doileys
With afternoon tea-cakes and scones.
An Edwardian Sunday, Broomhill, Sheffield
High dormers are rising
So sharp and surprising,
And ponticum edges
The driveways of gravel;
Stone houses from ledges
Look down on ravines.
The vision can travel
From gable to gable,
And turretted stable,
A sylvan expansion
So varied and jolly
Where laurel and holly
Commingle their greens.
Serene on a Sunday
The sun glitters hotly
O'er mills that on Monday
With engines will hum.
By tramway excursion
To Dore and to Totley
In search of diversion
The millworkers come;
But in our arboreta
The sounds are discreeter
Of shoes upon stone -
The worshippers wending
To welcoming chapel,
Companioned or lone;
And over a pew there
See loveliness lean,
As Eve shows her apple
Through rich bombazine;
What love is born new there
In blushing eighteen!
Your prospects will please her,
The iron-king's daughter,
Up here on Broomhill;
Strange Hallamshire, County
Of dearth and of bounty,
Of brown tumbling water
And furnace and mill.
Your own Ebenezer
Looks down from his height
On back street and alley
And chemical valley
Laid out in the light;
On ugly and pretty
Where industry thrives
In this hill-shadowed city
Of razors and knives.
The Irish Unionist's farewell to Greta Hellastrom in 1922
Golden haired and golden hearted
I would ever have you be,
As you were when last we parted
Smiling slow and sad at me.
Oh! the fighting down of passion!
Oh! the century-seeming pain-
Parting in this off-hand fashion
In Dungarvan in the rain.
Slanting eyes of blue, unweeping
Stands my Swedish beauty where
Gusts of Irish rain are sweeping
Round the statue in the square;
Corner boys against the walling
Watch us furtively in vain,
And the Angelus is calling
Through Dungarvan in the rain.
Gales along the Commeragh Mountains,
Beating sleet on creaking signs,
Iron gutters turned to fountains,
And the windscreen laced with lines,
And the evening getting later,
And the ache - increased again,
As the distance grows the greater
From Dungarvan in the rain.
There is no one now to wonder
What eccentric sits in state
While the beech trees rock and thunder
Round his gate-lodge and his gate.
Gone - the ornamental plaster,
Gone - the overgrown demesne
And the car goes fast, and faster,
From Dungarvan in the rain.
Had I kissed and drawn you to me
Had you yielded warm for cold,
What a power had pounded through me
As I stroked your streaming gold!
You were right to keep us parted:
Bound and parted we remain,
Aching, if unbroken hearted -
Oh! Dungarvan in the rain!
Up the ash tree climbs the ivy,
Up the ivy climbs the sun,
With a twenty-thousand pattering,
Has a valley breeze begun,
Feathery ash, neglected elder,
Shift the shade and make it run -
Shift the shade toward the nettles,
And the nettles set it free,
To streak the stained Carrara headstone,
Where, in nineteen-twenty-three,
He who trained a hundred winners,
Paid the Final Entrance Fee.
Leathery limbs of Upper Lambourne,
Leathery skin from sun and wind,
Leathery breeches, spreading stables,
Shining saddles left behind -
To the down the string of horses
Moving out of sight and mind.
Feathery ash in leathery Lambourne
Waves above the sarsen stone,
And Edwardian plantations
So coniferously moan
As to make the swelling downland,
Far surrounding, seem their own.
From the geyser ventilators
Autumn winds are blowing down
On a thousand business women
Having baths in Camden Town
Waste pipes chuckle into runnels,
Steam's escaping here and there,
Morning trains through Camden cutting
Shake the Crescent and the Square.
Early nip of changeful autumn,
Dahlias glimpsed through garden doors,
At the back precarious bathrooms
Jutting out from upper floors;
And behind their frail partitions
Business women lie and soak,
Seeing through the draughty skylight
Flying clouds and railway smoke.
Rest you there, poor unbelov'd ones,
Lap your loneliness in heat.
All too soon the tiny breakfast,
Trolley-bus and windy street!
The Plantster's Vision
Cut down that timber! Bells, too many and strong,
Pouring their music through the branches bare,
From moon-white church towers down the windy air
Have pealed the centuries out with Evensong.
Remove those cottages, a huddled throng!
Too many babies have been born in there,
Too many coffins, bumping down the stair,
Carried the old their garden paths along.
I have a Vision of the Future, chum,
The workers' flats in fields of soya beans
Tower up like silver pencils, score on score:
And Surging Millions hear the Challenge come
From microphones in communal canteens
"No Right! No Wrong! All's perfect, evermore!"
The Last Laugh
I made hay while the sun shone.
My work sold.
Now, if the harvest is over
And the world cold,
Give me the bonus of laughter
As I lose hold.
Felixstowe, or The Last of Her Order
With one consuming roar along the shingle
The long wave claws and rakes the pebbles down
To where its backwash and the next wave mingle,
A mounting arch of water weedy-brown
Against the tide the off-shore breezes blow.
Oh wind and water, this is Felixstowe.
In winter when the sea winds chill and shriller
Than those of summer, all their cold unload
Full on the gimcrack attic of the villa
Where I am lodging off the Orwell Road,
I put my final shilling in the meter
And only make my loneliness completer.
In eighteen ninety-four when we were founded,
Counting our Reverend Mother we were six,
How full of hope we were and prayer-surrounded
"The Little Sisters of the Hanging Pyx".
We built our orphanage. We built our school.
Now only I am left to keep the rule.
Here in the gardens of the Spa Pavillion
Warm in the whisper of the summer sea,
The cushioned scabious, a deep vermillion,
With white pins stuck in it, looks up at me
A sun-lit kingdom touched by butterflies
And so my memory of the winter dies.
Across the grass the poplar shades grow longer
And louder clang the waves along the coast.
The band packs up. The evening breeze is stronger
And all the world goes home to tea and toast.
I hurry past a cakeshop's tempting scones
Bound for the red brick twilight of St.John's.
"Thou knowest my down sitting and mine uprising"
Here where the white light burns with steady glow
Safe from the vain world's silly sympathising,
Safe with the love I was born to know,
Safe from the surging of the lonely sea
My heart finds rest, my heart finds rest in Thee.
Death In Leamington
She died in the upstairs bedroom
By the light of the ev'ning star
That shone through the plate glass window
From over Leamington Spa
Beside her the lonely crochet
Lay patiently and unstirred,
But the fingers that would have work'd it
Were dead as the spoken word.
And Nurse came in with the tea-things
Breast high 'mid the stands and chairs-
But Nurse was alone with her own little soul,
And the things were alone with theirs.
She bolted the big round window,
She let the blinds unroll,
She set a match to the mantle,
She covered the fire with coal.
And "Tea!" she said in a tiny voice
"Wake up! It's nearly five"
Oh! Chintzy, chintzy cheeriness,
Half dead and half alive.
Do you know that the stucco is peeling?
Do you know that the heart will stop?
From those yellow Italianate arches
Do you hear the plaster drop?
Nurse looked at the silent bedstead,
At the gray, decaying face,
As the calm of a Leamington ev'ning
Drifted into the place.
She moved the table of bottles
Away from the bed to the wall;
And tiptoeing gently over the stairs
Turned down the gas in the hall.
South London Sketch
From Bermondsey to Wandsworth
So many churches are,
Some with apsidal chancels,
And schools by E.R. Robson
In the style of Norman Shaw
Where blue-serged adolescence learn'd
To model and to draw.
Oh, in among the houses,
The viaduct below,
Stood the Coffee Essence Factory
Of Robinson and Co.
Burnt and brown and tumbled down
And done with years ago
Where the waters of the Wandle do
From dust of dead explosions
From scarlet-hearted fires,
All unconcerned this train draws in
And smoothly that retires
And calmly rise on smoky skies
Of intersected wires
The Nonconformist spirelets
And the Church of England spires.
Come friendly bombs and fall on Slough!
It isn't fit for humans now,
There isn't grass to graze a cow.
Swarm over, Death!
Come, bombs and blow to smithereens
Those air -conditioned, bright canteens,
Tinned fruit, tinned meat, tinned milk, tinned beans,
Tinned minds, tinned breath.
Mess up the mess they call a town—
A house for ninety-seven down
And once a week a half a crown
For twenty years.
And get that man with double chin
Who'll always cheat and always win,
Who washes his repulsive skin
In women's tears:
And smash his desk of polished oak
And smash his hands so used to stroke
And stop his boring dirty joke
And make him yell.
But spare the bald young clerks who add
The profits of the stinking cad;
It's not their fault that they are mad,
They've tasted Hell.
It's not their fault they do not know
The birdsong from the radio,
It's not their fault they often go
And talk of sport and makes of cars
In various bogus-Tudor bars
And daren't look up and see the stars
But belch instead.
In labour-saving homes, with care
Their wives frizz out peroxide hair
And dry it in synthetic air
And paint their nails.
Come, friendly bombs and fall on Slough
To get it ready for the plough.
The cabbages are coming now;
The earth exhales.
A Bay In Anglesey
The sleepy sound of a tea-time tide
Slaps at the rocks the sun has dried,
Too lazy, almost, to sink and lift
Round low peninsulas pink with thrift.
The water, enlarging shells and sand,
Grows greener emerald out from land
And brown over shadowy shelves below
The waving forests of seaweed show.
Here at my feet in the short cliff grass
Are shells, dried bladderwrack, broken glass,
Pale blue squills and yellow rock roses.
The next low ridge that we climb discloses
One more field for the sheep to graze
While, scarcely seen on this hottest of days,
Far to the eastward, over there,
Snowdon rises in pearl-grey air.
Multiple lark-song, whispering bents,
The thymy, turfy and salty scents
And filling in, brimming in, sparkling and free
The sweet susurration of incoming sea.
The Hon. Sec.
The flag that hung half-mast today
Seemed animate with being
As if it knew for who it flew
And will no more be seeing.
He loved each corner of the links-
The stream at the eleventh,
The grey-green bents, the pale sea-pinks,
The prospect from the seventh;
To the ninth tee the uphill climb,
A grass and sandy stairway,
And at the top the scent of thyme
And long extent of fairway.
He knew how on a summer day
The sea's deep blue grew deeper,
How evening shadows over Bray
Made that round hill look steeper.
He knew the ocean mists that rose
And seemed for ever staying,
When moaned the foghorn from Trevose
And nobody was playing;
The flip of cards on winter eves,
The whisky and the scoring,
As trees outside were stripped of leaves
And heavy seas were roaring.
He died when early April light
Showed red his garden sally
And under pale green spears glowed white
His lillies of the valley;
The garden where he used to stand
And where the robin waited
To fly and perch upon his hand
And feed till it was sated.
The Times would never have the space
For Ned's discreet achievements;
The public prints are not the place
For intimate bereavements.
A gentle guest, a willing host,
Affection deeply planted -
It's strange that those we miss the most
Are those we take for granted.
Encase your legs in nylons,
Bestride your hills with pylons
O age without a soul;
Away with gentle willows
And all the elmy billows
That through your valleys roll.
Let's say goodbye to hedges
And roads with grassy edges
And winding country lanes;
Let all things travel faster
Where motor car is master
Till only Speed remains.
Destroy the ancient inn-signs
But strew the roads with tin signs
'Keep Left,' 'M4,' 'Keep Out!'
Command, instruction, warning,
The rockeried roundabout;
For every raw obscenity
Must have its small 'amenity,'
Its patch of shaven green,
And hoardings look a wonder
In banks of floribunda
With floodlights in between.
Leave no old village standing
Which could provide a landing
For aeroplanes to roar,
But spare such cheap defacements
As huts with shattered casements
Unlived-in since the war.
Let no provincial High Street
Which might be your or my street
Look as it used to do,
But let the chain stores place here
Their miles of black glass facia
And traffic thunder through.
And if there is some scenery,
Some unpretentious greenery,
It does not need protecting
For soon we'll be erecting
A Power Station there.
When all our roads are lighted
By concrete monsters sited
Like gallows overhead,
Bathed in the yellow vomit
Each monster belches from it,
We'll know that we are dead.
The Cottage Hospital
At the end of a long-walled garden in a red provincial town,
A brick path led to a mulberry- scanty grass at its feet.
I lay under blackening branches where the mulberry leaves hung down
Sheltering ruby fruit globes from a Sunday-tea-time heat.
Apple and plum espaliers basked upon bricks of brown;
The air was swimming with insects, and children played in the street.
Out of this bright intentness into the mulberry shade
Musca domestica (housefly) swung from the August light
Slap into slithery rigging by the waiting spider made
Which spun the lithe elastic till the fly was shrouded tight.
Down came the hairy talons and horrible poison blade
And none of the garden noticed that fizzing, hopeless fight.
Say in what Cottage Hospital whose pale green walls resound
With the tap upon polished parquet of inflexible nurses' feet
Shall I myself by lying when they range the screens around?
And say shall I groan in dying, as I twist the sweaty sheet?
Or gasp for breath uncrying, as I feel my senses drown'd
While the air is swimming with insects and children play in the street?